On Faces and Frames
His nose blurs
from this side of the pane.
Fingertip smudges blot fine lines,
swipe detail sideways,
sweep across oval beige
that begs my eyes for clarity.
On seeing an emblem—
an unconceived sketch.
Nameless by distance
and fingertip prints,
by steps, uncounted, from car door
to coffee shop. This pane, a film.
I fill his face with my stories.
A name into his nose’s bridge,
a wife across his bottom lip,
purpose in his jagged jawline—
his blur, a wanting canvas.
Framed, made real.
This pane, a gallery.
Blur eclipses behind a car door, closing.
Stories rev with his engine.
Leave me to witness
a streetside exhibit,
anonymous things.